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In fact, much of the production just moves along until whatever is next is next. The stage direction of David Edwards borders on traffic control – wait for the light to change, go left,
go right. The conducting of Donald Runnicles was often sluggish, making an anxious First Night crowd wrapped to the gills in bow-ties and heavy throat jewelry (on an unusually hot summer night) more dubious than
necessary about the opera and its selection as Season headliner. Soprano Barbara Frittoli’s “Amelia” was standard delivery and very old school histrionic. Lovely phrasing in the Act 1 cavatina, “Come in quest’ora
bruna”, but lacking in the chills and thrills department throughout the night. Marcus Haddock, last seen as “Gustavus III” in the 2006 Opening Night production of Un Ballo in Maschera, delivered a fine
interpretation of “Gabriele Adorno”, the would-be revolutionary against the Doge of Genoa and wannabe husband of his daughter. His Act II aria, “Sento avvampar nell’anima” (I feel a fire of jealousy) was wonderfully
aggressive and polished by a resounding High A. Patrick Carfizzi was totally convincing as the irritating “Paolo Albiani” and assassin of Simon. Mr. Carfizzi’s upcoming engagements include appearances at the
Metropolitan Opera, Seattle Opera, and debut as “Taddeo” in L’Italiana in Algeri at the Dallas Opera.
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